As I write this, it’s Friday, Jan. 31. About three-and-a-half weeks ago was Jan. 7. Check your own personal calendars, news headlines and the like. It’s not that long ago. That matters to me, and this blog, because this is where the Beatles come in.
Flip (or click) back several calendar pages – 45 in fact – and we’re at January 1969, dominated by the Get Back sessions. Jan. 31 marked its final day, a short day dedicated to nailing for film and for tape usable takes of Paul’s non-rooftop-suitable “Two of Us,” “Let It Be” and “The Long and Winding Road.” (The clips appeared in the movie prior to the rooftop show, but were in fact filmed the next day).
What of Jan. 7? That’s where we left off last in the session timeline, at a genuine pivot point. George suggested the group “have a divorce,” Paul said he’d thought about that, too. The Doldrums. It hung over the band.
So what happened between Jan. 7 and Jan. 31, 1969, to recast the sessions? Well, I’m not going to give it all away at once. What else would I blog about, the recording of Sentimental Journey? (That actually seems like an interesting, star-studded, intercontinental story, but I digress.) Three and a half weeks is such a short period of time, in relative terms, and we know that the group was on the brink Jan. 7. By Jan. 31 so much memorable musical output was in the bank and in the works. Factor in that there’s 10 ½ days without George after his walkout and more than a week without any rehearsals at all, and I’m left grasping at superlatives.
To wit: From Jan. 7-13 and Jan. 21-31, 1969 (18 days, and that includes weekends not spent in the studio):
- Paul wrote the majority of “The Long and Winding Road,” “Let It Be” and “Get Back” and debuted future solo tracks “Another Day,” “Teddy Boy” and “Back Seat of My Car”
- George wrote: “I Me Mine,” “Old Brown Shoe” and “Something,” as well as “Wah-Wah” at home during his break from the band.
- Everything you hear on “Let It Be,” plus “Don’t Let Me Down” was recorded.
- We saw the birth – and if not the birth, than at least the studio debut – of Abbey Road’s “I Want You,” “Oh! Darling” and “Octopus’s Garden.”
- We have the rooftop show, too.
- The Beatles even found time to meet with Allen Klein for the first time.
And I feel like I’m understating what happened.
So, there’s just a little bit of food for thought before I return to the timeline (soon!). Context is everything, and with January here and now gone, it provided the perfect chance to put into focus how much these guys got done throughout the madness they, for the most part, created themselves.
5 responses to “TMBP Extra: All that lies ahead”
thanks Dan…take your time…looking forward to your narrative combined with great, unheard versions of songs…can’t get enough….
Yeah man. Awesome blog.
when are you coming back?
Soon! New post on “I’ve Got A Feeling/Maxwell’s Silver Hammer” already in early stages of a draft, and I’m targeting to post it before the end of the month (so, in the next week or so).
I’ve been burning to do more these last few months, but events having absolutely nothing to do with the blog have kept me away. Now that things have settled down in my real world, I’ll be returning to January 1969 imminently!
OK, slight overstatement about before the end of the month, since that’s today. But a rough draft is done, and I’m hoping to get something post-able by the end of the week or latest the weekend. Thanks for your patience!