Category Archives: Extra

TMBP Extra: Fête accompli

Author’s note from July 6, 2017: I originally wrote this several years ago. Unlike the other posts on this blog, to which I try to limit any changes, I’ve come back to this one a few times, rewritten some parts, tweaked others, in an effort to more clearly bring things into a fuller circle.  

There’s obviously no need to overstate the importance of July 6, 1957, to any reader of this blog. It’s the day John Lennon and Paul McCartney met after John’s Quarrymen played the Garden Fête in Woolton, and thus, everything changed in this world, and for the better.

First, a quick recap of that day, via the Beatles Anthology DVD. Take it, Paul!

For fun, here’s the story as portrayed in Nowhere Boy:

Let’s get back to reality and what the Quarrymen really sounded like that day, from authenticated tapes recovered decades after the fact:

There simply can’t be a more important moment in Beatles history than the birth of the Lennon-McCartney partnership. Everything came from that, not the least of which was Paul soon introducing George Harrison to John. But that’s another story.

Mark Lewisohn dedicates an entire short chapter to July 6, 1957, in his indispensable extended edition of his Beatles biography Tune In, vastly expanding upon any basic retelling of the Lennon-McCartney origin story and going so far as to tease the possibility the two actually first met — without any guitars — prior to the fête.  But no matter what happened before that day, Paul taking the initiative and confidently performing “Twenty Flight Rock” for John was the moment that mattered.

And it wasn’t merely that Paul could play “Twenty Flight Rock.”

“The thing I think that impressed him most was I knew all the words,” Paul said in the above Anthology clip.

The Beatles never covered “Twenty Flight Rock” — Paul eventually would on numerous occasions solo and with Wings — but they did give it a nod amid the Get Back sessions, on Jan. 23, 1969, by which point the recording had moved to Apple HQ at Savile Row.

More than 11 years after Paul played the song for John — impressing him enough to begin their partnership —  and some months from the last time John and Paul would work together again, Paul couldn’t quite remember the words. At all.

Alas, the elevator’s indeed broken down. There’s not too much magic to the light-hearted clip, although it’s nice to hear Billy Preston, and George’s solo is pretty good. But no longer is Paul playing the song to impress John. In so many ways, it was Paul’s group by then.

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TMBP Extra: Let it Be … Naked on iTunes; what’s next?

In some pretty great, and somewhat unexpected news (to me), Let it Be … Naked has been sprung into the iTunes store. It’s nice to know I’m not the only person thinking about the January 1969 sessions at this moment in history.

Better news: That means the “Fly on the Wall” disc (well, digital music file) and all the random studio chatter and song clips within is also now on iTunes, albeit as part of the iTunes LP experience (ie., you can’t buy it as an individual track).

Yet better news: The iTunes LP, which includes all the songs, plus “Fly on the Wall,” appears to have the Get Back book in its entirety, legitimately available for the first time in the United Sates. Furthermore, videos for”Get Back” and “Don’t Let Me Down,” with beautiful remastered footage in the Naked edits, are now on sale, too.

The best news? There’s more to come.

Over the next couple of weeks we’ll be celebrating Let It Be… Naked in a few ways.  We are launching a series of five special podcasts featuring tracks from the album, original archive sound from the making of Let It Be, and interviews with Paul, George and Ringo reflecting on that period in The Beatles’ career.

The podcasts will be featured on the Let It Be… Naked site, or alternatively catch them on Facebook and Twitter. The complete version should be available for download on the iTunes podcast store shortly. It will be annnounced at thebeatles.com

Renewed attention to Let it Be and the sessions? This can only be a good thing.

But what does it all mean?

It could just be they’re filling in the gaps with their apocryphal material. The Anthology compilations weren’t in the first wave of albums to reach iTunes, and after this, Live at the BBC could be next to go digital.

Maybe they’re just marking 10 years since LIBN. The footage for the videos, for instance, was already remastered long ago for Anthology and perhaps more recently for LIBN.

But a big promotional push for The Beatles “as nature intended”? Maybe, just maybe, that Let it Be DVD/BluRay isn’t too far behind.

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TMBP Extra: Jan. 6, 1969 recap

” I’ll play, you know, whatever you want me to play. Or I won’t play at all, if you don’t want me to play. Whatever it is that will please you, I’ll do it.”

Blogoversary week continues with a look back at my posts about today in Nagra tapes history: January 6, 1969, a truly fascinating and historic one in band history.

  • Icing Cream: As the new work week begins, the band and director Michael Lindsay-Hogg are fixated on how bad the Cream farewell documentary is
  • Hear Me: In which the Quiet Beatle proves he’s possibly insane by introducing another future classic to be met with complete indifference
  • Here comes the bird king: Jam isn’t just for toast for the Beatles on this day at Twickenham as they work on some improvisations including a song that would later appear on, of all things, Paul’s unreleased Rupert the Bear soundtrack
  • Playing to the gods (If there’s a rock show, Pt. 1): It’s the first real talks about the live show to be the sessions’ eventual endgame, and as far as audiences are concerned, Yoko Ono asks who needs ’em?
  • Such a lovely audience? (If there’s a rock show, Pt. 2): Extensive discussion of the eventual live show continues, with exotic – and not quite so – options in the mix
  • Adore your ballroom dancing (If there’s a rock show, Pt. 3): Lengthy midday discussion about the eventual live show concludes with George Harrison asking what The Beatles image should be, and Paul proposing playing a dance as the answer. Or should they all just go home?
  • Cross that bridge (Pt. 1): The session’s legendary discord emerges as the boys battle the bridge in “Don’t Let Me Down”
  • Cross that bridge (Pt. 2): The day’s rehearsals for “Don’t Let Me Down” conclude with tension, but ultimately a progress on the song’s troubling bridge. But mainly tension.
  • Please, please you (Pt. 1): Rehearsals for “Two of Us” begin as the band argues just over how to conduct a rehearsal. We’re on the road to “whatever it is that will please you” in the beginning of a multi-part series on this historic session.
  • Please, please you (Pt. 2): Tensions during “Two of Us” continue to reach a boil as George admits he plain doesn’t care, while Paul evokes the pair’s experience rehearing “Hey Jude.”
  • Please, please you (Pt. 3): George doesn’t mind, he’ll play, you know, whatever you want him to play.
  • That weight and this boy: Paul bookends a rough day of rehearsals with the debut of “Carry That Weight,” and now we know why Ringo is so prominent on the song’s eventual recording on Abbey Road.
  • Et cetera: The day’s coverage is a wrap as I tie up some loose ends — checking on a pair of curios written for Ringo, rehearsals of a couple other songs that managed to endure, a few covers and the briefest of mentions of George’s sex life.

There’s one more post that fits in here, even though it’s not precisely on the timeline.

  • TMBP Extra: Time to leave the capsule:  The members of The Beatles and Bowie have crossed paths several times over the last 40-plus years, but here I dig into what they were doing on January 6, 1969, before they met, just miles away at the same precise moment. Bowie, The Beatles and Apollo 8 all cross paths in one post.

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TMBP Extra: Jan. 3, 1969 recap

Blogoversary week continues with a look back at my posts about today in Nagra tapes history: Jan. 3, 1969.

  • Setting the tone: A funereal classical piece becomes the movie’s opening theme
  • Starrwriter 69: Having previously written just one song in his career, on Jan. 3, 1969, Ringo gives us two new ones
  • No little thing: George kvetches the U.S. audience needs “oldies but goldies” with their new songs, and he offers up something of a random suggestion
  • Traveling on that line: The Beatles rediscover “One After 909” at just the right moment in their history
  • Shoctric shocks: Beginning a multipost look at the aggravating “All Things Must Pass” rehearsals on Jan. 3 with the song’s movie moment
  • Four guys and four amps: “All Things Must Pass” remains rough, perhaps because it’s serving as background music to discussions about recording equipment
  • The Band plays on: An in-depth look at the Jan. 3 rehearsals of “All Things Must Pass” concludes with talk of musical and lyrical inspiration
  • Taxman, Revisited: George teases us with a reference to “Taxman Pt. 2”
  • Hearing things: John reminds us he’s still there with a taste of a future solo classic
  • Let you down, leave you flat: Bootleg tracklists for the Get Back sessions are so promising, especially when you see the Beatles are playing some of their older tunes, but really, they are just joking around
  • Fifteen minutes of fame: The Beatles didn’t spend a whole lot of time introducing brand-new songs to the sessions this day, but the ones they (specifically, Paul) did were eventual classics
  • Quizzical: Paul unleashes an incomplete “Maxwell’s Silver Hammer” on the group as the anti-“All Things Must Pass” on this day
  • Et cetera: Tying up some loose ends for the day’s sessions before we move onto the next day

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TMBP Extra: Everybody had a good year — 1st Blogoversary

champagne

Today — Jan. 2, 2013 —  marks the 44th anniversary of the beginning of what would ultimately be known as the Get Back (or Let it Be) sessions. And for me, it’s exactly one year since I began this labor of love.

So with another year over and a new one just begun,  I wanted to quickly look back at a year of posts and share a little bit of what I’ve discovered through 40 posts that have covered 14 hours of music and conversation thus far.

  • Wait — Just 14 hours in?! That’s it? I’m amazed, too (maybe). When I started this blog, I didn’t think after a year’s worth of posts I’d still be on January 6, the third day of the sessions with another 83 hours of tapes (nearly three-and-half-days’ worth) remaining.  Beyond the fact that life indeed is what happens when you’re busy making other plans, I found my interest in what I was listening to increase with every post. I started out planning on a couple of posts per session day, but I’ve eventually found myself writing multiple posts about a single song or even a conversation.
  • And about those conversations… So far, I’m finding them more interesting than the song rehearsals. Not that it should surprise anyone that two-plus hours of “Don’t Let Me Down” (in just these 14 hours) gets a bit old . But the decades-old bootlegs that first exposed me (and I’m sure many of you) to the sessions really only featured the band’s wacky covers and oddball originals (in addition to the more definitive and unique takes of the songs to eventually surface on the record and in the movie).  Getting to hear George tell Paul he’ll play if he wants him to play is great. But being able to get the entirety of the context plus the rest of the conversation is gold (that specific example is subject of my next original post, in fact). The discussion they had about Cream plus the lengthy discussion about the potential live show just fascinated me (and, hopefully, you!).
  • Run from, not for, cover: Maybe it’s just because they’re old news by now. But the covers they “play” (so far there haven’t been too many full run-throughs) aren’t all that compelling. Maybe it’s personal taste, but I just don’t care all that much. Although at times they clearly enjoyed performing those more than their originals when it’s the entire band actually playing together. But for something that has long defined these sessions, I’m eager to just get through them.
  • Traffic bait

    Clickbait

    I’ve just seen a face.  I don’t pay too much attention to site stats, since the blog is purely for fun, not profit. But in a very inexact study of search terms people use to find the blog, people just love searching for Paul’s beard. And I’m happy to oblige.

I have plenty of more observations, but I’ll leave them to this next year’s posts themselves. I do seem to have a tendency to ramble.

So with this blog entering its second year, I simply want to thank you all so much for reading. This is just so much fun to be able to have the chance to virtually talk about such a specific thing with so many knowledgeable people as enthusiastic as I am.  Can’t wait for another year of Beatle posts/tweets/chatter.

As we enter the first few days of January, I’ll be unearthing links to my posts about those days in 1969 on the tapes, starting below with Jan. 2. After we’re caught up with my posts through Jan. 6,  I’ll pick up where I left off on the timeline (that same Jan. 6) with a look at “Two of  Us” and the iconic George-Paul argument that happened within.

Posts about Jan. 2, 1969:

  • Different Feelings: On the first day of the sessions, the band runs down a few different new numbers, with Paul taking charge
  • Revelation 1: Exploring the shared origins of “Don’t Let Me Down” and “Sun King”
  • Tell me why: In their rush to begin recording at Twickenham, nobody seems to have an exit strategy.

 A little disclaimer. I’m in the process of a little bit of cleanup. Anywhere that I change content of any substance, or fix a fact, I’ll make that clear. But I won’t waste anyone’s time denoting when I found  better video clip or replaced a dead link, etc.

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